Happy Veterans Day
There are a lot of misconceptions about Clark Gable, but one of them that I really can’t tolerate is anyone who says his Army service wasn’t the selfless and heroic act that it was. Today is Veterans Day and therefore the perfect opportunity to revisit this 2008 article that was published in World War II magazine:
Captain Hollywood
Miami Beach can be miserably hot during the off-season, and in the summer of 1942—long before air conditioning became commonplace—it was an inferno. It was definitely no seaside paradise for the men of the US Army Officer Candidate School who lived there. Barracked in waterfront hotels that the federal government had stripped of niceties, they spent their days inside cordoned-off areas, running, marching, and exercising in temperatures of 100 degrees and up.
The locals seemed to have grown bored with this latest wartime distraction when, in late August, newspapermen noticed women gathering on sidewalks to watch the OCS cadets march to the mess hall for lunch. The ladies of Miami were craning their necks to catch a glimpse of GI 191-257-41—Corporal Clark Gable, former movie actor and, according to female fans, the most desirable man on the planet.
Gable joined the army during World War II for the same reason every other American volunteer gave: he wanted to serve his country in time of war. Almost everyone was signing up, including movie stars. But readers of Photoplay and other large-circulation movie magazines knew there was more to Gable’s story than he was letting on.
With his dark pomaded hair, neatly trimmed mustache, bedroom eyes, charming smile, and snappy baritone dialogue delivery, Gable had been America’s most popular male sex symbol throughout the 1930s. Female moviegoers gasped when, in the 1932 jungle romance Red Dust, he manhandled platinum-blonde love goddess Jean Harlow and made her like it. He won the Academy Award for Best Actor for his performance in the 1934 comedy It Happened One Night, in which he tried to talk actress Claudette Colbert out of her pajamas and revealed, to the dismay of underwear manufacturers and the delight of women, that he wore no undershirt.
The 1939 epic Civil War–era romance Gone with the Wind clinched Gable’s image for all time. In that film, on a dirt road, in front of a blood-red sunrise, he took actress Vivien Leigh in his arms and gave her the kiss of a lifetime. In that one moment he proved his power. He could turn a four-hour melodrama into the most profitable picture of its day and still have enough charm left over to seduce any woman in America.
That was the public Gable, a red-blooded man’s man with charm, courage, and an overriding sense of humor in the face of adversity. He had been a stage actor, learning his craft in touring companies until he was discovered by theater veteran Josephine Dillon, an older woman who wanted to fund and direct his career, and who became his first wife. A second marriage to another older woman followed, this time to socialite Ria Langham, who, coincidentally, wanted to fund and direct his career. By the time he made his Academy Award–winning turn in It Happened One Night, Gable’s second marriage was merely a formality, and he was discreetly playing the field.
In March 1939, during a break from filming Gone with the Wind, Gable ran off to Kingman, Arizona, with Paramount star Carole Lombard. After a long romance with that blond beauty, Gable caved in to pressure from the public and his studio, MGM, to grant Langham a quick divorce and make an honest woman of Lombard.
The public Carole Lombard was the attractive star of popular movie dramas and screwball comedies. In private, she was a foul-mouthed woman with a zany sense of humor. She was an active Democrat with a serious interest in world affairs, while Gable was a low-key Republican concerned with maintaining his automobile collection. In December 1940, the pair was in the Oval Office as part of a small audience watching President Franklin Roosevelt make one of his Fireside Chat radio broadcasts. In a half-hour conversation with the couple after the broadcast, Roosevelt won them over as public supporters of his “Arsenal of Democracy” project, which was sending ships and munitions to aid Britain in its fight against the Nazis. Both were actively involved in this promotional work when, less than a year later, the Japanese destroyed the American fleet at Pearl Harbor. Immediately following that disaster, Gable was installed as chairman of the Screen Actors Division of the Hollywood Victory Committee, to organize entertainers for hospital appearances and military camp shows. Lombard went to work for the US Treasury Department selling war bonds.
On the night of January 15, 1942, Lombard telephoned Gable from Indianapolis on a patriotic high. She had just sold a record breaking $2,017,513 in bonds during an eight-hour sales drive in the Indiana State House rotunda. “You better get yourself into this man’s army,” she said before hanging up. The next evening, she died in the crash of a DC-3 airliner outside Las Vegas.
It was widely understood that Lombard was Gable’s soul mate. So, at the news of Lombard’s death, the whole nation stepped back to let Gable grieve. And grieve he did. Production on a film he had been making stopped. He wandered the southern California ranch he’d shared with her, followed by her confused little dachshund. He talked with buddies and their wives about all he and Lombard had planned, and about the last thing she had said to him.
At loose ends, drinking heavily, Gable decided the only way to break his cycle of pain was to do as his wife had directed. To the ire of MGM and his agent, Gable renegotiated his movie contract. The new deal suspended his salary and took him out of all new projects so he could join the army.
Army recruiters directed Gable to Henry “Hap” Arnold, commanding general of the US Army Air Forces. Arnold said the service needed a film to recruit gunners for its new big bombers. He proposed that if Gable completed OCS, he could go to Britain and make such a film. That was the proposal, but could Gable get through the rugged physical training, pass the batteries of academic exams, and learn how to be a working US Army officer? The army was about to find out what few if any fans knew: that Gable was born in 1901, had not finished high school, did not have a tooth in his head, and suffered from hemorrhoids and a variety of minor skin disorders. By any standard, he was not a prime candidate for military success.
On August 12, 1942, Gable was sworn into the army in California. Then he boarded a train for the Miami OCS center. For most of the trip, he traveled quietly. But at the New Orleans rail station he was swarmed by adoring women, causing him to arrive in Florida a day late. When he finally showed up at the OCS, the press was waiting. There were shouted questions, and requests to photograph him getting his required military crew cut. On the spot, the man known as the King of Hollywood negotiated a deal. He would shave his famous mustache off for the cameras. Then the press would retire and let him get down to business.
Gable’s real concern with the haircut was his ears. Often taped back to the sides of his head when he went in front of movie cameras, his ears reminded friends of the Walt Disney character Dumbo. Without his hair and the cover of a small overseas cap, these appendages would appear outrageous in photographs.
Finessing his day-late arrival in Miami and the news riot at the army’s reception center were the last movie-star moves Gable made for months. Although the army wanted Gable as much as he wanted the army, he was now just a 41-year-old man with a bad haircut, sitting on a bunk in overheated Florida clutching three spare sets of full dentures, tired out just by the act of traveling there. There would be classes in the morning and for eight hours every day except Sunday and Gable hadn’t been in a schoolroom since Woodrow Wilson was president.
To the delight of the free world and the surprise of many, Gable made it. He graduated 700th in a class of 2,600 men, most of whom were half his age. A mediocre student and a tired trooper on the drill field, he succeeded by using skills he learned in the movie business. He didn’t understand much of the classroom material, but each lecture came with mimeographed sheets covering the salient points. Treating the sheets like a script, he spent his nights perched on a toilet to study by the bathroom light, memorizing the information and repeating it verbatim the next day on written exams. On the field, he acted fresher than he really felt and tried to show enthusiasm. He walked the dreaded guard duty without complaint.
That autumn, Arnold personally oversaw the OCS commissioning ceremony. Gable, at the urging of army brass, was asked by the class to give the graduation speech. “The important thing, the proud thing I’ve learned about us is that we are men,” he concluded. “Soon we wear the uniforms of officers. How we look in them is not very important. How we wear them is a lot more important. Our job is to stay on the beam until—in victory—we are given the command to fall out.”
A mint-new lieutenant, Gable completed several more weeks of specialized training and a stint in air gunnery school. Then he flew back to California on Christmas leave, making a point of showing that how you looked in your uniform was important, at least to him. As an officer, he was allowed to have his uniforms tailor-made, so he did, by his own army of needle men. His aching feet were wrapped in handmade shoes, his mustache was back, and he had grown his hair long enough to comb. Back home, after parties and social rounds, he made private visits to special friends before leaving for more training at Fort Wright, near Spokane, Washington. From there he was to ship out for England.
At Fort Wright, Gable did his best to stick with his assignments, but civilian women working on the base were a problem. They pestered him, begged for dates, and pressed slips of paper with their telephone numbers into his hand. The base commander issued an official notice: “Lieutenant Gable will appreciate it if the public will not interfere with his training. He wishes to be treated like every other member of the Service.”
The Fort Wright phase of Gable’s military career was brief. Gable earned an aerial gunner’s silver wings there and was transferred to Pueblo, Colorado, where he became part of the 351st Heavy Bombardment Group. Commanded by Colonel William Hatcher, the outfit was nicknamed Hatcher’s Chickens. Gable was given the go-ahead to assemble a creative group for his film project. The first two on board were Lieutenants Andy McIntyre and John Lee Mahin, movie-industry friends from California. Next, former studio sound technician Howard Voss and cameramen Robert Boles and Mario Toti, all now in the army, were rounded up. As an informal unit inside the 351st, Gable’s crew was dubbed the Little Hollywood Group, and together they pushed off with the 351st in April 1943 for the Polebrook air base near Peterborough, England, north of London.
In Britain, Gable, promoted to captain, demonstrated grim resolve. He wanted his war service to be as respectable as the next man’s. He took unnecessary chances, flying several combat missions in B-17s when superiors would have preferred he stay on the ground assembling film footage that others had shot. On one of these flights, a German 20mm shell tore through the plane’s floor, ripped the heel from one of Gable’s flight boots, and exited through the ceiling, just missing his head. Several times, he took over for gunners wounded in flight. After one of those occasions, he was rattled because, he claimed, he could see the face of the German fighter pilot shooting at him. War had suddenly become personal.
As much as anything during this period, Clark Gable, officer and gentleman, wanted to be considered just one of the guys. It was an elusive goal. His graduation from the Fort Wright gunnery school had been filmed by newsreel cameras. In theaters, viewers heard a narrator say, “Watch out, Mr. Hitler, Lieutenant Clark Gable is headed your way!” Then, not long after Gable arrived in Britain, the English-speaking Nazi radio propagandist known as Lord Haw Haw announced: “Welcome to England, Hatcher’s Chickens, among whom is the famous American cinema star, Clark Gable. We’ll be seeing you soon in Germany, Clark. You will be welcome there, too.”
Happy Veterans Day and Thank You to all our veterans.
You can read the rest of Captain Hollywood in the Article Archive.
One Comment
Coco B
Gable served honorably and selflessly. One must also remember that Hitler had a price on his head. Can you imagine if he were captured. But Gable paid one of the ultimate prices. Carole Lombard was the first woman killed in action in the service of her country in WWII. She also set records for selling war bonds. These people who served in WWII really are the greatest generation. And our soldiers today are truly a special lot, comparable to no one. Prayers and immeasurable thanks and respect to all who have and who are serving.