clark gable

From June 1940:

Clark Gable would just as soon let the past rest in peace so far as the picture “San Francisco” is concerned. Not because he didn’t play one of his greatest roles. It was a shooting of the earthquake scene that neither he nor 500 extras will forget—even if the film that recorded it ended up on the cutting room floor. Buildings were crumbling, water-mains bursting, horses running madly, and Clark was avoiding falling wreckage. He sprang aside, and as he did so, his trousers caught on the nail of a wooden beam.

With a rip they came off. And there was Mr. Gable caught short. Extras broke into hysterical laughter. Clark ran for cover—swearing he’d never wear purple shorts again!

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clark gable 

Thank you everyone for your patience while this site gets a much-needed facelift. I am happy to announce that the Article Archive is back up and running! Here you will find over 100 articles on Clark’s life and career, ranging from 1932 to 2008.

Some highlights:

Learn about Clark’s favorite pot roast and how to make his favorite pancakes in The Modern Hostess (1934).

Read about one lucky contest winner’s date with Clark in I Had a Date with Clark Gable (1936).

Hollywood’s Unmarried Husbands and Wives (1939) is the infamous article that called out Clark and Carole, among other celebrity couples, for “acting like they are married even though they are not.” This article led to MGM urging along Clark and Ria’s divorce so that Clark and Carole could marry.

Vivien Leigh, Rhett Butler and I (1940) and Here’s Rhett–You Asked for Him! (1940) are great pieces with Clark talking about playing Rhett Butler in Gone with the Wind.

Want to know about the third Mrs. Gable? Read about Carole Lombard in The Evolution of a Wow (1936), Hollywood’s Goofy Gal Goes Glamourous (1939), Subject: Lombard (1940) It Looked Good for a Laugh at the Time (1941) and She Knew What She Wanted (1941).

Learn about those crazy lovebirds Clark and Carole in Our Home, Our Work–and Children (1939) How Clark Gable and Carole Lombard Live (1940),  At Home with the Gables (1940), and The Gags of the Gables–Like Crazy! (1941).

Read up on Clark’s post-war romances with Ann Sheridan, Paulette Goddard, Nancy Davis and Kay Williams in The Girl in Clark Gable’s Life (1944), Which Girl Has the Gable (1948) and If She Wants Him, She’ll Get Him! (1949).

The hands-down best interview I have ever read with Clark Gable is I Call on Clark Gable (1957). Without fluff and pageantry, Clark and this reporter sat in a room with a tape recorder and Clark answered his questions. Candid, honest and real.

And that is just the top of the iceberg. Plus several new articles will be added in February while we’re celebrating Clark’s birthday month, so stay tuned!

clark gable

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clark gable loretta young

Key to the City is only notable really for the re-teaming of Clark Gable with Loretta Young, his co-star in Call of the Wild fifteen years earlier…oh, and the mother of his daughter, Judy. Loretta was suggested as his leading lady because the studio was trying to bring back some of Clark’s romantic luster as the grim Any Number Can Play and female-less Command Decision has darkened it.

clark gable loretta young
Gable is Steve Fisk, the boorish mayor of Puget City, who meets Clarissa Standish (Young), the stuffy mayor of Winona, Maine at the annual mayors conference in San Francisco. They fall in love despite their differences but trouble arises as they try to make their relationship work outside the convention.

Clark is getting too old for this—running around in a child’s costume showing his sock garters, playing the brute to Loretta’s prim and proper virginial Mayor Standish. The roles are tailor-made, I suppose, as Loretta had a reputation for being a bit stand-offish and a prude. And Clark’s character never had a formal education and is proud of his roughneck background. Sound familiar?

clark gable
It’s rather hard to understand why Clarrissa falls for Steve, as he never really makes any sweeping gestures. He lures her against her wishes to a “make out spot” on a foggy hill, then seduces her in a way that’s rather creepy, really. She jumps on his statement of “You don’t want to marry a guy like me” and takes it as a proposal. Then all of a sudden they are engaged and he’s okay with it. Never mind the fact that just hours earlier he was perfectly happy schmoozing with nightclub dancers.

clark gable loretta young
It’s a bit hard to stomach the sexism, too. Mayor Standish is very proud of her Harvard education and her reputation as a good and honest mayor. She’s well aware that it’s a man’s world and she holds her head high and wants to be treated just like any of the male mayors at the convention. Mayor Fisk is rude to her, disrespects her, and talks down to her like she’s a child. But of course he is irresistible to her and naturally, she will give up her position and move to his town of Puget City to be the mayor’s wife. Naturally. I get it, he is Clark Gable after all, but still…

clark gable loretta young

clark gable loretta young

All in all the film is a bit hokey. Clark and Loretta still have chemistry but the plot really seems to fit more in the 1930′s than the 1950′s. Near the end, Clark is in a fist fight that echoes back to his brawl with Spencer Tracy in Boom Town . Despite this one being ten years later, there seems to be something missing in the way of special effects here, as the staging of the fight in Boom Town was much more realistic. This fight has almost laughable staging and the sound mixers should have been fired (there are actually several moments in the film that the over-dubbing is evident). Loretta taking whacks at Marilyn Maxwell is especially ridiculous.

clark gable
Clark was single and playing the field during filming (in fact he dated co-star Marilyn Maxwell briefly) but Loretta was married to her second husband Tom Lewis and no romantic overtures took place between the two former lovers. Loretta, who had two sons with Lewis, was actually pregnant when filming began. During the filming of the “Telegraph Hill” scene, where they are on a park bench with simulated fog, Loretta fainted and Clark had to carry her back to her dressing room. She was rushed to the hospital and suffered a miscarriage.

clark gable loretta young

Loretta and her husband threw a party at their Beverly Hills home when filming was completed. The cast and crew were there when they heard the news that their beloved co-star, Frank Morgan, had just died of a heart attack. Frank, best remembered for his numerous roles in The Wizard of Oz, was a close friend of Clark’s and the two had played golf together that very morning.

frank morgan clark gable

Key to the City is not yet available on DVD. You can read more about the film here and see over 100 pictures from the film in the gallery.

clark gable rosalind russell

From July 1941:

Clark Gable to most women would be hypnotic. Not so to Rosalind Russell, whom he kisses in “They Met in Bombay.” Before shooting, Roz called to her maid: “Bring me my sex appeal!”—perfume atomizer, gum.

____

Roz is hilarious! There’s a great article in the archive in which Roz discusses working with Clark.

Carole Lombard Gable died 70 years ago today. Amazing to think that it has been that long, as Carole left in her wake films and tales that seem so modern. I’ve often thought you could drop Carole down in this day and age and she wouldn’t miss a beat.

There is no denying that her death infintely shaped Clark Gable’s life from that day on. He was different…and he was never quite the same.

From “The Story Gable Wouldn’t Tell”, Modern Screen magazine, November 1942:

Dorothy Canfield Fisher once wrote a story about a girl whose parents’ love and dependence on each other grew with every passing year. Then her mother died. In the shadow of her father’s desolation, she cried out: “People shouldn’t be happily married. It’s too terrible when one of them goes.”

Of course she was wrong, though in first anguish many might be inclined to agree with her. Cut those three years with Carole out of Clark’s life, take his memories from him, and you’d leave him an infinitely poorer man.

They’d been everything to each other, their devotion more complete than even their closest friends could have foreseen, than they themselves could have foreseen perhaps. They’d both been around. It wasn’t first love for either, but that rarer thing–a perfect blend of love, companionship, undoubtedly treasured the more because they hadn’t found it earlier. Carole went into marriage with the single thought of making Clark happy. His way of life–animals, farming, hunting–hadn’t been hers. She made it hers, knowing he’d be miserable any other way, not caring what way she went so long as it was with him. So they lived on a twenty-two acre ranch, and she hobnobbed with beef and poultry on the hoof and carried pitchers of milk like any farmwife to her lord and master sweating atop his tractor.

Before their marriage Clark had had plenty of friends. Carole had always been the hub of a crowd. Now they were sufficient unto themselves. Not that they turned into solitaries; both were to warm and genial for that. But as one friend put it: “They found something in each other that took care of everything.” they’d spend weeks on the farm, content to see nobody. You couldn’t even get them on the phone.

Clark never wrote letters. The only exception was the letter he wrote once a year on their anniversary to the girl who was living right there in the house with him. Carole wouldn’t work when he was off. he might take it into his head any old time to say, “Let’s go huntin’, Ma.” She wanted to be free to sling their stuff into the station wagon and go. First, second and third she was his wife. Being a movie star could take its chances.

Then came the Friday when he left the studio at five to pick her up at the airport. He raised the top on the car, since she didn’t like it down. With him was a friend whom we’ll call Ed because that’s not his name, and he shrinks from any publicity resulting from Clark’s tragedy.

Ed went in to check while Clark waited in the car. The plane, they told him, would be an hour late, so they drive to a hamburger joint for sandwiches and coffee. Clark was in high spirits, because Ma was coming home. When they got back forty-five minutes later, Ed was informed that the plane had come down at Las Vegas with motor trouble. Clark shook his head. “There must be something wrong.” They returned to the office together.

“It’s all right, Mr. Gable,” the clerk said. “Just a little engine trouble. They’re putting the passengers up at Las Vegas overnight.”

“What hotel?”

“That information hasn’t come through yet.”

“Look, Clark,” said Ed, “why don’t you go home? Maybe Carole’s trying to get you there. I’ll call Las Vegas and find out what hotel they’re stopping at.”

“Come over to the house and do it.”

“No, I’ll do it here.” Why he wanted to do it there he couldn’t have said–call it premonition or natural uneasiness caused by the delay.

He was in the telephone booth, coins in hand, when three men entered the place. He looked at their faces, and knew the worst had happened. Heavily he hung up the receiver and walked out. “How bad is it?”

“Very bad–” They added the few essential details.

He went up to the sky room where and MGM executive was dining. They phoned the studio. Eddie Mannix got the job of driving out to Clark’s house. There had been an accident, he said, that was all they knew. He got back to the airport with Clark as Jill Winkler, wife of the publicity man who’d accompanied Carole, came stumbling out of her car. The radio had blared the news at her as she drive to meet her husband. Clark stiffened. His face went a shade whiter. But his mind refused to accept what his ears heard. His brain was blocked at one point. There had been an accident, that was all they knew, that was all they knew–

The last trip…

The people around him were shadows. All his will was concentrated on getting to wherever Carole was. There were planes on the field, he moved toward them. Someone led him back. Someone said they’d have to charter a plane. It wasn’t easy. Planes were needed for soldiers. At last they managed to get an old crate. Its capacity was limited. There wasn’t room for Ed. He stood on the field, watching it disappear into the sky out of which–short hours or an eternity earlier–they’d been waiting to welcome Carole.

On Sunday Ed went to Las Vegas to bring Jill Winkler home. Otto’s body hadn’t been brought down yet. The regulations were–army first, then women, then male passengers, then the crew. Carole and her mother had been found. Clark refused to leave till they could take Otto back with them. But Jill was prevailed upon to go.

One of the friends who’d accompanied Clark met Ed.
“He hasn’t eaten since we got here. Go see if you can get him to eat.”

“If you can’t, I can’t–”

“Maybe a new face–”

He went in. “Hello, Clark.”

Gable lifted his ravaged face. “Hello.”
His eyes returned to the window. But the sight of Ed seemed to have dragged him back to the incredibly beautiful time when there had been a Carole in the world–back and then forward. He looked up again. ‘We didn’t meet the plane, did we, Ed?”

Ed’s heart turned to water. “No, Clark,” He said quietly, “we didn’t meet the plane.”

Then, a little later, “Want something to eat?”

“No.”
“Mind if I eat something?”
“No.”

He ordered a hamburger sent to him there. Maybe it was a lousy idea, but what could he lose? It worked. “Think you could get me some stewed fruit?” asked Clark. Ed was out of there like a bat out of hell. He wasn’t leaving this to the telephone. With the fruit, he brought back a bottle of milk. Clark finished the bottle, by which time Ed had stealthily introduced another. Clark finished that, too. No general ever got more satisfaction from a well-planned maneuver than strategist Ed.

A crumbled world…

Clark kept himself going till everything was done that had to be done. Otto was buried the day after Carole and her mother. He insisted on going. He went with Jill. Then he relapsed into what seemed a kind of stupor. They couldn’t get him to love; they could hardly get him to speak. He just sat.

Gable’s been rated a tough guy, who could take what blows fate handed out and come back for more. Those who wondered over his collapse are those who confused toughness with lack of deep feeling. Sure, Gable’s tough, none of which precludes the softer emotions. Tenderness is none the less tender when wrapped in a gag. One day there had been Carole, warm, alive, the dear companion of today and all the years to come. Next day there was Carole, a searing pain. She’d woven herself into every fiber of his being. Torn out, he was left bleeding. She’d been the heart of his world. When it stopped beating, the world crumbled. He was in no stupor. He’d crawled into the hole of himself, because every outside contact flayed his raw grief.

The few friends he did see where those who had loved Carole, who kept their hands off his grief. Instinctively, as a child does, he grew closer to his father. It was to his father that he first spoke of Carole, and the older man silently thanked the Lord. It was like the shadow of a crack in the ice. Presently he seemed to find his only relief in talking about her–this was what Carole had said, this is what she’d done. He seemed to be walking with her in the past. Between him and the future rose a night of horror. He wouldn’t approach it.

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clark gable carole lombard

From January 1941:

Latest freak at the Gable-Lombard zoo (which is what Hollywood is calling that amazing San Fernando Valley ranch of the stars) is a cat with one hind leg in splints!

Seems that Clark and Carole have no less than twenty cats about the place—and the population is going up steadily. But even so, the famous couple can’t find the heart to dispose of any of them, no matter how steady the rate of production. And when one of them meets disaster—well, the other day one of the cats got in a trap and came out with a broken leg. Instead of having her killed, Carole and Clark sent her to the veterinarian’s, and had the broken leg set and put in splints—and now the puss hops around on three legs until the fourth one is healed again.

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carole lombard

From May 1940:

Carole Lombard was at Westmore’s the other day having her hair shampooed and waved. After the star had left, Miss Lombard’s hairdresser took her next appointment–a woman almost too excited to talk. “Tell me all about her,” begged the customer. “Is she going to have a baby like the newspapers say? Wouldn’t it be wonderful if Clark and Carole had a baby? Why, America would go wild!”

________

Shucks, I, for one, am so sad that never happened. Wouldn’t it be something if there was a person walking around today, probably in their 60′s, who was half Clark and half Carole? Talk about hitting the genetic lottery. And having the coolest parents ever to boot!

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February is a special month here on DearMrGable.com–February 1st marks Clark Gable’s birthday! I post something new to the website every single day in February and this year will be no exception. This year will have a schedule, though:

Sundays:  Random!

Mondays: New Article in the Article Archive

Tuesdays: New Photo Blog Entry

Wednesdays: New Photos in the Gallery

Thursdays: New Article in the Article Archive

Fridays: New Gossip Friday

Saturdays: New Blog Post–Dissecting Gable Rumors

In addition, I am going to let all you Gable fans select the Movie of the Month for February! Cast your vote below, on the website Facebook page, or email me. Your vote equals an entry to win a DVD of the winning film! (If you win and you already own or don’t like the film that ends up winning, I can subsitute).

Now, of course the list of films you can vote for is limited to films that are available on DVD, those I have access to on DVD and those that have not already been Movie of the Month. Also, Gone with the Wind and The Misfits are not eligible because I have future plans for them!

Here is the list of films to choose from:

The Easiest Way (1931)

Dance Fools Dance (1931)

A Free Soul (1931)

Night Nurse (1931)

Laughing Sinners (1931)

Susan Lenox: Her Fall and Rise (1931)

Strange Interlude (1932)

Night Flight (1933)

Forsaking All Others (1934)

After Office Hours (1935)

Honky Tonk (1941)

Adventure (1945)

The Hucksters (1947)

Any Number Can Play (1949)

Lone Star (1952)

Winner will be chosen by random number generator. Your vote counts twice if you post about this contest on your blog, Facebook or Twitter!

Vote now, before January 31!

 

clark gable

Well, another year is coming to an end and a new one is beginning. Hard to believe in 2012 will be this website will be three years old!

2011 was an exciting year for DearMrGable.com:

Over forty new articles added to the Article Archive

Thousands of pictures added to the gallery–it now holds over 10,000 pictures!

The one year anniversary of this site’s Facebook page–I cherish all the Gable fans I have met through Facebook!

The following films were featured as Movie of the Month in 2011:

January: Hold Your Man (1933)

February: China Seas (1935)

March: Saratoga (1937)

April: Band of Angels (1957)

May: Idiot’s Delight (1939)

June: But Not For Me (1959)

July: It Happened One Night (1934)

August: Homecoming (1948)

September: Men in White (1934)

October: Possessed (1931)

November: The Tall Men (1955)

December: Too Hot to Handle (1938)

Last but definitely not least and a dream come true for me: my trip to Hollywood, tracing Clark’s footsteps–chronicled through this blog

2011 will be hard to top, but I have to try, right?

Don’t forget February 1 is Clark’s 111th birthday and so, like every year, there will be something new to the site every single day for the entire month of February!

Thank you, all you Gable fans, for all your support! This site wouldn’t exist without you!

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From February 1936:

On a recent questionnaire given to waitresses at the Beverly Hills Brown Derby, it was discovered that twenty-five of the girls were willing to answer. Thirteen of them were writing poetry, three wrote plays and twenty-three thought Clark Gable the best actor.

P.S. Only one little gal had any desire to be an actress!

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