Directed by: Lloyd Bacon
Co-stars: Marion Davies
Synopsis: Gable is Larry Cain, a small time boxer, whose publicity team cooks up a fake romance with Mabel O’Dare (Davies), an aspiring musical star, for publicity. The two loathe each other but begrudgingly agree to play along to help both of their careers. Of course along the way they actually do fall in love and decide to quit boxing and show business to be together. Their publicists won’t hear of it however and set to break them up.
Best Gable Quote: “I’m supposed to be a fighter and what am I doing–playing post office all over the front page with a dame!”
Fun Fact: William Randolph Hearst (producer, publishing magnate and Davies’ paramour) spent $35,000 on the carousel for the musical number “Coney Island”. After filming was completed, the carousel was installed in the backyard of Davies’ Santa Monica home, near her pool and tennis courts.
My Verdict: This is Marion Davies’ picture and Clark is window dressing. His character is a one-dimensional brutish boxer, who softens like butter after Marion bats her eyelashes at him a few times. This film is definitely one of those that I wouldn’t say is a bad film as a whole, but it’s not a great Gable film. Marion shows she can sing and dance, and Clark shows he still looked good with his shirt off.
In a Nutshell: Love on the Run (1936)
Directed by: W.S. Van Dyke
Co-stars: Joan Crawford, Franchot Tone
Synopsis: Gable is Mike Anthony, a newspaper reporter always in competition with his college buddy, Barnabus Pell (Tone) who works for a rival paper. When Mike attends the wedding of socialite Sally Parker (Crawford) to a European prince, he becomes her confidante and helps her escape the nuptials. With Barnabus hot on their trail, Mike and Sally steal a spy’s plane and head across Europe. The spy wants his plane back (and his secret plans) and Barnabus wants his piece of the story, keeping them on the run, of course falling in love along the way.
Best Gable Quote: “You’re the only girl this side of the moon.”
Fun Fact: Gable and Franchot Tone had become friends during the filming of Mutiny on the Bounty and would play cards between takes. This irritated Crawford. Her and husband Tone spent most of their time between scenes fighting. During the course of filming, Tone moved out of their Hollywood home.
My Verdict: It is a rather silly film, full of madcap hijinks. Clark and Joan always do have chemistry, but here I find it watered down. I enjoy his competitive banter with Franchot much better. As a spy story and a sweet romance, it’s rather flat. Not Clark and Joan at their best.
In a Nutshell: Parnell (1937)
Directed by: John M. Stahl
Co-stars: Myrna Loy, Donald Crisp, Edna May Oliver, Billie Burke
Synopsis: In this historical melodrama, Gable is Charles Parnell, an 1880′s Irish politician dubbed “The Uncrowned King of Ireland” for fighting for Irish freedom from British rule. The British trump up false charges against him to try and keep his efforts down but are unsuccessful. But then Parnell falls in love with Katie O’Shea (Loy), the estranged wife of a British Parliament member. When her husband finds out, he files for divorce and names Parnell as co-respondent, resulting in political and social ruin for Parnell. Just as he begins to fight back for his position, he is taken ill with a sick heart.
Best Gable Quote: “Haven’t you ever felt that there might be someone somewhere who, if you could only find them, is the person that you were always meant to meet?” (How romantic is that line! I have always loved it)
Fun Fact: Gable’s least favorite of all his films and the biggest flop of his and Myrna Loy’s careers. It lost a total of $637,000 at the box office. Gable accepted the role of Charles Parnell because he saw an opportunity to prove himself as a versatile dramatic actor. When the film flopped so horribly, he shunned all historical dramas. The flop of this picture is the main reason he was reluctant to do Gone with the Wind; he feared another historical flop. Because of the criticism of his Irish accent in this film, he refused to do a Southern accent for GWTW.
My Verdict: I stand by my long-voiced opinion that Parnell isn’t really that bad. There are some Clark Gable films (see anything thus far voted one mustache) that if it’s on TCM I flip right past it. Not this one. Clark’s performance isn’t bad, neither is Myrna’s. The script is tedious and the plot is boring. There just isn’t enough to hold interest. The love story is very sweet (although completely different than it was in reality) and Clark has some very romantic lines. I adore Myrna Loy and their chemistry is top notch as always. A fantastic film? No. But a horrible, wretched film that should be held up as the worst of Clark’s career? Still No.