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Gossip Friday: Take It From the Script Girl
From March 1937: Florence Thomas is the eldest script girl [at MGM]. For eight years she has been W.S. Van Dyke’s secretary and script girl, and she knows her movie stars. Florence can take them apart, and considers some of them not worth the trouble of putting together again. But about Clark Gable she says: “I’d just as soon he were in all our pictures.” “And not because he’s the great Gable either, or any bunk like that. It’s for purely selfish reasons. Because he’s no trouble. Because he’s efficient. Because he knows this is his business and treats it like a business, and not like a circus hoop for…
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{New Article} 1935: A New Log of The Bounty
This is a short article from 1935 about the filming of Mutiny on the Bounty on Catalina Island. It really doesn’t give much detail except to rehash the history of the events depicted in the picture. A new tale, of another Bounty, could be written around the adventures of that sore-beset crew, filming this grand tale for Metro, for all of them, from Director Frank Lloyd on, have stories to tell of trials and tribulations. But it all is well worth it, for without question here, in “Mutiny on the Bounty,” will be one of the greatest pictures ever contrived. I have lately returned from a cruise on this new…
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Movie of the Week: Mutiny on the Bounty (1935)
This week, Clark Gable is legendary mutineer Fletcher Christian in Mutiny on the Bounty. In this adaption of the famous tale of mutiny on the high seas in 1787, Clark is first mate to the tyrannical Captain Bligh (Charles Laughton) on a two year voyage from England to Tahiti to obtain breadfruit plants. Bligh beats and starves the sailors, all while Christian and fellow officer Bynum (Franchot Tone) stand and watch. Christian finally can’t stand it anymore and rallies the men to overthrow Bligh and take over the ship. They send Bligh and his supporters adrift at sea in a small boat and take the Bounty back to Tahiti. They…
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Movies of the Week: Chained (1934), Forsaking All Others (1934) and Love on the Run (1936)
This week, since it’s Valentine’s Day week, we’re lovin’ it up around here with a triple dose of 1930’s Clark Gable and Joan Crawford: Chained (1934), Forsaking All Others (1934) and Love on the Run (1936). I like all three of these films; they all fit the bill for typical 1930’s rom-coms. Chained (1934) The Love Story: Gable is Mike Bradley, a South American rancher who falls for the glamorous Diana (Crawford) on a cruise ship. Diana falls for Mike too, despite the fact that she is romantically involved with a married Manhattan businessman, Richard (Otto Kruger), whose wife refuses to leave him. She decides to leave Richard for Mike…
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{New Article} 1935: The Only Girl on a Gable Location
This piece from 1935 was written by a reporter sent to the Catalina Island set of Mutiny on the Bounty. Oh, to be the lone female reporter hunting down the scoop to the location shoot of the latest Clark Gable picture! Sounds glamorous, right? Apparently not… If you’re going from Hollywood, you ride the film boat from San Pedro wharf direct to the Isthmus, some ten miles across Channel. The boat makes it once a day carrying passengers and supplies. And so, surrounded by eight twenty-gallon gasoline tanks, four cartons of strawberries, two dead sharks, (to be used for Bounty atmosphere), and six milk cans, I started my great expedition.…
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Nutshell Reviews: Cain and Mabel (1936), Love on the Run (1936) and Parnell (1937)
In a Nutshell: Cain and Mabel (1936) Directed by: Lloyd Bacon Co-stars: Marion Davies Synopsis: Gable is Larry Cain, a small time boxer, whose publicity team cooks up a fake romance with Mabel O’Dare (Davies), an aspiring musical star, for publicity. The two loathe each other but begrudgingly agree to play along to help both of their careers. Of course along the way they actually do fall in love and decide to quit boxing and show business to be together. Their publicists won’t hear of it however and set to break them up. Best Gable Quote: “I’m supposed to be a fighter and what am I doing–playing post office all…
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Nutshell Reviews: Dancing Lady (1933)
In a Nutshell: Dancing Lady (1933) Directed by: Robert Z. Leonard Co-stars: Joan Crawford, Franchot Tone, Fred Astaire Synopsis: Gable is Patch Gallagher, a short-fused Broadway producer who hires down-on-her-luck ex-burlesque dancer Janie Barlow (Joan Crawford) for the chorus line of his latest show. Janie is constantly pursued by a rich playboy admirer, Tod Newton (Franchot Tone). Patch begins to have feelings for plucky Janie, but grows bitter as it becomes obvious she is wrapped up with Tod. When he promotes her to the lead in the production, Tod becomes impatient (Janie said she’d marry him if the play fell through) and pays off the Broadway powers-that-be to shut the…
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November Movie of the Month: Love on the Run (1936)
This month, Clark is a rogue newspaper reporter (again) and Joan Crawford is a spoiled heiress (again) in Love on the Run. Gable is Mike Anthony, a newspaper reporter always in competition with his college buddy, Barnabus Pell (Franchot Tone) who works for a rival paper. When Mike attends the wedding of socialite Sally Parker (Crawford) to a European prince, he becomes her confidante and helps her escape the nuptials. With Barnabus hot on their trail, Mike and Sally steal a spy’s plane and head across Europe. The spy wants his plane back (and his secret plans) and Barbabus wants his piece of the story, keeping them on the run,…
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September Movie of the Month: Dancing Lady (1933)
In 1933, Clark was in a musical–but no singing and dancing for him…just brooding and yelling. In Dancing Lady, Clark is Patch Gallagher, a short-fused Broadway producer who hires down-on-her-luck ex-burlesque dancer Janie Barlow (Joan Crawford) for the chorus line of his latest show. Janie is constantly pursued by a rich playboy admirer, Tod Newton (Franchot Tone). Patch begins to have feelings for plucky Janie, but grows bitter as it becomes obvious she is wrapped up with Tod. When he promotes her to the lead in the production, Tod becomes impatient (Janie said she’d marry him if the play fell through) and pays off the Broadway powers-that-be to shut the play…
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Gossip Friday: Ann’s Ideal Man
A short article from June 1940 in which actress Ann Sheridan describes her ideal man: Right here I’d like to mention that I don’t go around describing, unsolicited, my masculine ideal to everyone I meet. What I mean is, I was asked by Movie Mirror to do this…so in describing the sort of man I would choose if I were to marry I’m contriving a sort of composite of several men I know and like and admire… He’d dance like Cesar Romero. The Romero dancing is in a class by itself. He’d have Joel McCrea’s physique–tall, square-shouldered, rangy and not an ounce of spare fat on him! I hate bay windows,…
