Sporting Blood (1931)
Release Date: August 8, 1931
Directed by: Charles Brabin
Studio: MGM
Costarring:
Madge Evans
Available on DVD through The Warner Brothers Archive Collection.
Nutshell Review, February 2014
10th Anniversary Celebration Movie of the Week, April 15, 2019
Sporting Blood is the story of Tommy Boy, a colt cherished by his breeder who ultimately sells him when an offer is presented that he can’t refuse. The horse changes hands a few times before landing in the hands of a mobster that Warren “Rid” Riddell (Gable) is working for and whom Ruby (Evans) is entangled with. The mobster drugs the horse and mistreats him until finally the horse just wears out and loses a big race. The mobster’s friends all bet on the horse based on his assurance of a win and are none too pleased to lose their money. Thus the mobster ends up dead. Ruby takes ownership of the horse and gets him back in racing form by taking him back to the breeder’s farm. But does he have what it takes to win the Kentucky Derby?
Reviews
Photoplay magazine, September 1931
An exquisitely photographed biography of a race horse. Clark Gable is featured, but Gable fans will be disappointed at the fact that the film runs forty-five minutes before he makes his first appearance. From then on, the boy’s good. Horse devotees will thrill at the story. Ernest Torrence and Madge Evans do grand work, but the photographers rank top honors, especially in the Blue Grass country scenes.
Quote-able Gable
“Why not let it stand?” first line
“Come here, woman!”
“I could be crazy about you.”
“I like your nerve, kid, but that’s all it is: just nerve.”
“Oh, I don’t want to fight. I want to make love at you.”
“Yeah, one thing. I said we needed a new deal. I guess we better take it, eh, kid?” last line
Behind the Scenes
Based on a true story about a horse named Sporting Blood. The film changed the horse’s name to Tommy Boy but oddly kept the title.
Clark’s first “starring” role. He is top-billed in this small feature (although still below the title) but doesn’t appear on screen until nearly 45 minutes into the film.
The film was released as a double feature with Night Nurse in many theaters.
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Clate
A beautiful film with its heart in the right place. The first fifteen minutes are especially stunning on a visual level; reminding one of a silent film and that the graceful presentation of that era could survive with talkies.