Featured in Screen Guide magazine in November 1936, here is one of those wacky articles that could only come from the 1930’s–a psychic tells you what will become of Hollywood’s great couples!

wanda hollywood

“The Future of Ten Hollywood Romances as Predicted by Wanda, One of Hollywood’s Most Famous Seers”

The ten blazingest Hollywood romances! How will the end? Marriage? Split up? This story tells.

In presenting this remarkable set of predictions, I have kept in mind that my readers’ interest in the stars is no fleeting thing. You will be amazed as time goes on, to note the accuracy of Wanda’s readings. She has built for herself a tremendous following among the Hollywood famous. I suggest that you keep this article–refer to it in the future and see how right she has been this time. It’ll be fun!

Yes, let’s see just how right this “remarkable” Wanda was, shall we?

Rose Joan Blondell and Richard Ewing Powell (Joan Blondell and Dick Powell)

dick powell joan blondell

There is no if, and or but about this romance. Joan and Dick (if they’re not married by the time you read this) will be married shortly after her divorce from George Barnes becomes final….[Dick] is a charming boy and he and Joan will get along beautifully…She and Dick have many tastes in common and she will always be interested in anything that Dick likes. They will have a child within a year or so after their marriage.

Well, she wasn’t totally wrong here. Joan and Dick were indeed married by the time this magazine hit news stands, tying the knot on September 19, 1936.  They did have a child in 1938, a daughter named Ellen.  Wanda couldn’t predict, I suppose, that in 1944 Dick’s head would be turned by a younger blonde actress, June Allyson, and he would subsequently leave Joan for her.

Arlington Brugh and Ruby Stevens (Robert Taylor and Barbara Stanwyck)

robert taylor barbara stanwyck

For his own good Robert Taylor should not marry for many years. I say this because he is an extremely restless personality. He likes action–lots of it–and hates monotony. He never sits still and never is. He is like a wild horse who hates a halter…He will come under a marriage aspect next year, but if he should marry then it will not last…As far as his “romance” with Barbara Stanwyck is concerned, this is really a glorified friendship. Barbara is very intuitive and psychic; she understands Bob’s spirit perfectly…She will have a proposal of marriage in 1937–and perhaps from Bob, but neither should she marry during that year. It would be what we call an “inevitable marriage”—one which she would have no control.

Her timeline is off, but she’s not completely wrong. Bob and Barbara were married on May 14, 1939, after three years of dating and being called out for “acting like they are married but they aren’t” in the same magazine article that called out Clark and Carole. Bob was indeed not a man who could be tamed, so to speak. After years of him cheating on her, Barbara finally filed for divorce in 1951. He went on to marry actress Ursula Theiss and have two children; Barbara never remarried and missed him the rest of her life.

William Powell and Harlean Carpentier (William Powell and Jean Harlow)

jean harlow william powell

Jean Harlow is two distinct personalities, and she is another person who cannot be restricted. That is why she changed her hair to a brownish shade when she found that its platinum color interfered with her independence. Instead of being its slave she decided to let it be hers…Regardless of what people think, she is very timid and has a strong mother complex. She is also of a restless disposition and enjoys changes. 1937 will prove to be a better year for her than 1936. My advice to her would be to wait a little longer for another marriage.

William Powell was born a genius. He is very proud and disdainful person but loves children and dogs…Bill wants a great deal of love and affection and he wants a wife to be always at his beck and call. That’s why there will be a disturbing element in any marriage he enters into with a busy actress. A woman must role his home as well as his heart.

“1937 will be a better year for her than 1936”?? There is an appalling prediction! Jean Harlow died at the age of 26 in 1937.  Bill and Jean were still together at the time of her death and he was devastated. Married and divorced twice before the Jean romance (his second marriage being to Carole Lombard), Bill eventually married actress Diana “Mousie” Lewis in 1940 and they were married until his death in 1984.

Raymond Guion and Jeanette MacDonald (Gene Raymond and Jeanette MacDonald)

jeanette macdonald gene raymond

Because Jeanette MacDonald is a Gemini and Gemini women usually marry men of a different nationality or religion, I have long been expecting this Jeanette MacDonald-Gene Raymond engagement…The marriage aspects are better for her than for Gene. His best marriage year is really 1938. Still a partnership with Jeanette will turn out happily for him as well as for her so long as he is careful about disagreements and separations…Gene is almost as much wrapped up in music as Jeanette is, and you’ll hear a lot more about him as a composer as time goes on. But my advice to them is to wait awhile, until Gene passes through his present aspects. He had one big love affair last year–he’ll know whom I mean–from which he hasn’t yet recovered.

Jeanette and Gene were indeed married, although sooner than the great Wanda wanted–making it official on June 16, 1937. They remained married until her death in 1965, however revelations from friends and discoveries of personal letters and diaries in the past decade or so have provided clear evidence that this marriage of theirs was a cover-up because Gene was gay and Jeanette was being kept away from her ongoing love affair with Nelson Eddy.

James Stewart and Eleanor Powell

james stewart eleanor powell

This is a nice friendship but has very little marriage possibilities. Eleanor will make a better friend than a marriage partner in this case…I doubt if either of them would learn the lesson of give and take. James Stewart will have two or more marriages.

Again she is kind of right. Jimmy and Eleanor starred in together in Born to Dance that year and were briefly coupled. Eleanor went on to marry actor Glenn Ford in 1943, her only marriage, which ended in divorce in 1959. Wanda is wrong about Jimmy though, he was one of the very few of the golden age of Hollywood’s leading men who held out for the right woman and stayed once he found her. He married Gloria Hatrick in 1949 and they were happily married until her death in 1994.

George Brent and Greta Gustafson (George Brent and Greta Garbo)

george brent greta garbo

It is quite likely that this one will be at an end shortly. George Brent is the burnt child who dreads fire. The memory of his marriage to Ruth Chatterton has never been erased–its happiness and its grief both come back to haunt him…He likes to “putter” and as a matter of fact, he is very fussy and old-maidish. Greta, on the other hand, is just the opposite. An introvert who lives completely in herself. The state of things about her makes very little difference.

I don’t think this relationship was ever anything at all. Greta certainly never seemed ready for marriage–she left a brokenhearted John Gilbert at the altar in the late 1920’s and never married.  George was ultimately married five times. After this article, he married actress Constance Worth in 1937 and they were divorced less than a year later. He also had a short-lived marriage to actress Ann Sheridan. He had two children with his fifth wife, model Janet Michaels.

David Niven and Estelle Merle O’Brien Thompson (David Niven and Merle Oberon)

merle oberon david niven

This romance is destined to follow a rocky path. Like “water” which is their symbol, they are too easily ruffled and changeable with the tide. Their sign is Pisces, which is two fish swimming in opposite directions. David likes to stand on his own two feet and doesn’t like to be bossed. And the compelling Merle Oberon has to be boss! …She is no back-seat driver.

Correct, Wanda. This one didn’t work out. Merle dated Clark before Carole was on the scene and one of the reasons Clark lost interest was apparently Merle’s tendency to be controlling and jealous.  Merle married British producer Alexander Korda in 1939, the first of four husbands. David married a British socialite named Primmie in 1940. She died tragically in an accident in 1946. He then married a Swedish fashion model in 1948 and although it was rather a tumultuous union, they stayed married until his death in 1983.

Cesar Romero and Virginia Briggs (Cesar Romero and Virginia Bruce)

cesar romero virginia bruce

These two are well suited to each other–both are “air” people and therefore could find happiness together. Virginia comes under a very strong marriage vibration after October of this year, and Cesar, too, begins a new cycle in February…Virginia will always attract men who will be constantly telling her how much they admire her, and any man who marries her will have to keep ahead of the others. Even when she is a very old lady there will always be a man waiting for her just around the corner–she can’t help it; hers is just that fatal attraction. But Cesar worships beauty as much as any man and will always respect and revere it. He also senses that she is an adorable mother and he has a strong inclination for a home and family. And if they marry the first of next year there will be a child before October, 1939.

No marriage for these two. Virginia, who was previously married to John Gilbert and had his daughter, married director J. Walter Ruben in 1937. They had one child before his death in 1942. Her third marriage lasted from 1946-1964, ending in divorce. Cesar, who dated Carole Lombard before Clark came on the scene, never married and was rumored to be gay.

And last but not least:

Clark Gable and Jane Peters (Clark Gable and Carole Lombard)

clark gable carole lombard

Clark Gable doesn’t come into another strong marriage vibration until the year 1938, and if he marries then, the only thing I can say to him is that he should keep his suitcase packed. I feel that this warning is necessary because he is individual and independent, and people of his type always marry on impulse. Yet in other respects, and a strange contradiction, he plays life like a game of chess, or like an actor who plays a part and watches himself go by. Few people “get this” about Gable, but it’s true. Another thing about him is that he can’t be bossed. This may have had something to do with the failure of his first two marriages. He is very aggressive and likes to do as he pleases. He will always want much more love and affection than he will give out.

There s little doubt about the fact that Clark Gable and Carole Lombard do get along beautifully, but because she doesn’t come under a strong marriage vibration until 1939 I cannot see a happy immediate marriage. There is, however, always that matter of Gable’s impulsiveness to be reckoned with. Many people point out that Clark and Carole have so much in common–that they both like sports, for example. However, they like them in a different way. Carole likes smart sports–smart tennis on a smart court in a smart pair of shorts. Clark likes backwoods “roughing it” sports. Their ideas are really quite far apart in this connection. Also Clark is content to live in plain, homey surroundings, while Carole’s artistic expression demands something more elaborate and “interior decorated.” She’s really amazingly artistic and when her film career over she can always find a lucrative livelihood as a painter, a landscape gardener, or an interior decorator. Also she is very rhythmic and if she would devote time and study to her voice, she might easily become a successful singer–even an opera singer. She is what we would call extravagant, yet her extravagances are really necessary to her. She hates miserliness in any form and there is nothing stingy about her, nor will she tolerate it in others around her. She has a very real humanitarian outlook and is abnormally patient with everything and everybody. She will put up with things for a long time, but, as is typical of such people, when she finally does get around to putting her foot down, she puts it down irrevocably. Carole is so interested in other people and other things that she neglects herself, and therefore I would advise her to marry someone who would take an interest in her…her health and her welfare–a physician or a surgeon preferably.

Well, well! There are a couple of things wrong about this: Carole did get into Clark’s kind of sport, and she wasn’t the type to scoff at wearing hunting gear and waders and getting dirty.  I don’t think Carole would have made much of an opera singer! Really! If you have seen her film Swing High, Swing Low, you can hear that Carole was not exactly an opera singer! Carole was more extravagant with Clark, but she wasn’t stupid with her money, and I don’t think she minded Clark’s tendency to be a penny pincher too much, as they both pretty much spent their own money as they pleased. I can’t see Carole being some surgeon’s wife…sounds like she’d get bored. I can’t argue that Clark was the type to marry on impulse—he’d done it before then and he’d do it again. Also he did like to do just what he pleased and I would say that him wanting more love and affection than he’d be willing to give out is fairly accurate. And of course, they did get married in 1939–when Carole was having a “strong marriage vibration.”

clark gable jeanette macdonald san francisco

This month, Clark is a hard gamblin’ hard drinkin’ woman chasin’ shyster, Spencer Tracy is his best friend the priest  and Jeanette MacDonald is the saintly opera singer who steals his heart in San Francisco.

clark gable jeanette macdonald san francisco

Gable is Blackie Norton, a ruthless saloon-keeper in 1906 San Francisco, proud of his gambling ways. Despite their differences, he falls in love with Mary Blake (MacDonald), an aspiring opera singer who he hires to sing in his revue. His childhood pal, priest Tim Mullin (Tracy), objects to him putting Mary on display and stopping her from her opera aspirations. Realizing that Tim is right and that she should pursue her dreams instead of letting Blackie hold her back, Mary leaves him and becomes a successful opera star. It isn’t until the shattering earthquake that Blackie realizes his true feelings for Mary and sets out to find her among the rubble.

clark gable san francisco clark gable san francisco clark gable san francisco clark gable san francisco clark gable san francisco clark gable san francisco

This film is a favorite of many a Clark Gable fan, and it is not difficult to see why. As far as Gable fans are concerned, this one has it all:  action, romance, special effects, drama. A prestige project for MGM, San Francisco took fifty two days to shoot and costs $1.3 million, an extremely large sum in 1936.  Money well spent, however, as the film went on $5.3 million at the box office, becoming the second biggest hit of  Clark’s entire career, after Gone with the Wind.

clark gable san francisco clark gable san francisco

Clark is at his swoon-worthy best here. When we first see him, he’s a perfect dashing specimen in a top hat, tails and cape, complete with cane–rather Rhett Butler-esque!

clark gable san francisco San Fran San Fran

Truly at the peak of his heartthrob status, we are treated to many scenes of Clark smirking, winking and smooth talking with the ladies. Early on in the film, he shares a long liplock with a patron, who then points to the man next to her and says to Clark,”I want you to meet my husband.” Not many men can get away with that without getting their lights punched out!

clark gable san francisco

clark gable san francisco

We are also treated to a boxing match between Spencer and Clark, with Clark wearing nothing but what looks to be a high-waisted diaper!

clark gable san francisco clark gable san francisco clark gable san francisco clark gable san francisco

His priest pal Spencer sums up Clark quite perfectly: “He’s as unscrupulous with men as he is ruthless with women.”  Perfectly true as he tries to wiggle his way into pure and simple Jeanette’s heart–finding out she’s a virgin, he says, “I’m a sucker!” Myrna Loy, Clark’s frequent co-star, once lamented that the American public boxed her in to always be Nora Charles and Clark to always be Blackie Norton. It’s true, several of his films afterward were copies of Blackie in one way or another.

clark gable jeanette macdonald san francisco

I’ll admit to, um, fast forwarding MacDonald’s opera house scenes. But one cannot help but be roused by her lively rendition of the film’s trademark song, “San Francisco” right before the earthquake. The song is, to this day, the theme song of the city. I had a friend who worked in a hotel there and once I called him and he put me on hold. What was the hold music? Jeanette belting out “San Francisco”! And yes, my friend made fun of me for being excited about hold music…

clark gable jeanette macdonald san francisco

Clark apparently wasn’t a fan of Jeanette’s soprano –he was hesitant to star in the film because he thought he’d just be a prop standing there listening to her sing.  To appease him, most of Jeanette’s singing scenes were filmed separately from Clark’s reaction shots. Interesting fact:  One of MacDonald’s opera gowns was later re-used as a gown for Gilda in The Wizard of Oz (1939).

clark gable jeanette macdonald san francisco clark gable jeanette macdonald san francisco

Jeanette was not one of Clark’s favorite leading ladies. He found her to be diva-like and a bit too prim and proper for his taste. He was also irritated that it was in her contract that she was given time off every month for her, ahem, “ladies days.” It is often repeated that she bothered him so much one day on the set that he purposely ate spaghetti loaded with garlic for lunch, knowing that that afternoon they were supposed to film a love scene. Jeanette was so offended by his breath she nearly fainted. Seems a bit immature for him, who knows if it’s true or not.

clark gable jeanette macdonald san francisco clark gable jeanette macdonald san francisco clark gable jeanette macdonald san francisco clark gable jeanette macdonald san francisco

The earthquake scenes are really something to behold. The stunning special effects used to simulate the earthquake were created by hydraulic platforms that were pulled apart by cables with hoses underneath. They took weeks of testing to perfect.

clark gable san francisco clark gable san francisco clark gable san francisco clark gable san francisco

Legendary director D.W. Griffith was hired to direct the earthquake scenes after the producers saw the rushes of Van Dyke’s version, which they thought were rushed and fake-looking. Griffith gave them the authenticity they needed. His only direction to the mobs of extras was, “Pretend it’s an earthquake! Run for your lives! Try to help your friends!”

clark gable san francisco clark gable san francisco

A critical darling, San Francisco won the Academy Award for Best Sound Recording. It was also nominated for Best Picture, Best Director, Best Assistant Director, Best Writing (Original Story), and Best Actor Spencer Tracy. Clark was bitter about Spencer’s nomination, especially since his role was more of a supporting part. While I do think Spencer does a good job here , I think he is rather wasted in the role. Spencer (here and also in Test Pilot) was much too talented an actor to be playing Clark’s sidekick with a conscience. Spencer and Clark were friends for decades, but Clark was always envious of Spencer’s acting chops, while Spencer was jealous of Clark’s intense popularity.

clark gable jeanette macdonald spencer tracy san francisco

 

Clark objected to the final scene in which he falls to his knees and cries while he thanks God. He found it unmanly and refused. Director Van Dyke finally convinced him to do it by promising him to film him from behind.

clark gable san francisco clark gable san francisco

 

San Francisco is available on DVD. You can read more about the film here and see over 200 pictures from the film in the gallery.

clark gable jeanette macdonald san francisco

In a Nutshell: Wife vs. Secretary (1936)

myrna loy clark gable jean harlow wife vs. secretary

Directed by: Clarence Brown

Co-stars: Myrna Loy, Jean Harlow, James Stewart

Synopsis: Gable is Van, “Jake”, or “V.S.” Stanhope, a publishing executive happily married to the elegant Linda (Loy). Tongues start wagging about Van and his beautiful secretary, Helen “Whitey” Wilson (Harlow), whom he considers a close friend and confidante, but nothing more. While trying to secretly buy rights to a magazine from a rival publisher, he sneaks around town with Whitey, finalizing the deal. As his stories become inconsistent, Linda begins to suspect him and Whitey are having an affair. So does Whitey’s patient fiancé, Dave (a youthful Stewart). Dave grows irritated that Whitey refuses to quit her job, telling her that it isn’t natural for a woman not to want to stay home and be married and have children. She breaks up with him after he insinuates her relationship with Van is indecent. Linda’s suspicions finally bubble over when Van refuses to take her along on a business trip to Havana. An emergency occurs and Van calls Whitey to Havana to help him close the deal. When Whitey answers Van’s hotel room phone at 2:00am after a long night, Linda feels she needs no further evidence and begins divorce proceedings when Van returns to New York, refusing to believe his explanations.

Best Gable Quote: “You know, Linda, sometimes I just sit in the office and think about us. I try to be very fair about it and I am too. And I say to myself: who are you to think you are entitled to Linda? Are you good enough for her? And I say to myself: No. Then I say to myself: Well who is entitled to her? Is anyone good enough for her? And I say to myself: No. Then I say to myself: You’re as little entitled to her as anybody else so you hold right on. And I’m holding.”

Fun Fact: Gable and Loy became close friends on the set. She said he brought her coffee every morning and would read her Shakespeare and poetry in her trailer between takes.

My Verdict: I love this movie. The premise is silly and a common one form the 1930’s—a ridiculous stream of misunderstandings leads to marital strife—but this movie stands out because of the snappy script and the great cast. Clark Gable, Myrna Loy AND Jean Harlow! Plus throw in a young Jimmy Stewart as Harlow’s beau! Fabulous. Clark and Jean have their usual great chemistry, and Myrna and Clark’s scenes are adorably sweet. This one may not be one of his most dramatic parts or one of this pinnacle films, but it is a standout to show people in generations to come –“Hey, this is why Clark Gable was so popular.”

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It’s on DVD.

Read more here.

It was Movie of the Month in July 2010.

 

In a Nutshell: San Francisco (1936)

clark gable jeanette macdonald san francisco

Directed by: W.S. Van Dyke

Co-stars: Jeanette MacDonald, Spencer Tracy

Synopsis: Gable is Blackie Norton, a ruthless saloon-keeper in 1906 San Francisco, proud of his gambling ways. Despite their differences, he falls in love with Mary Blake (MacDonald), an aspiring opera singer who he hires to sing in his revue. His childhood pal, priest Tim Mullin (Tracy), objects to him putting Mary on display and stopping her from her opera aspirations. Realizing that Tim is right and that she should pursue her dreams instead of letting Blackie hold her back, Mary leaves him and becomes a successful opera star. It isn’t until the shattering earthquake that Blackie realizes his true feelings for Mary and sets out to find her among the rubble.

Best Gable Quote: “You know, I never tried to kid you, Mary. You take me as I am or you don’t take me. Tim doesn’t try to change me because he knows he can’t. And you can’t either. Nothing can. You know what I’ve been waiting for? I’ve been waiting to hear you say that I’m alright with you the way I am. Maybe you’re ready to say it now. Are you?”

Fun Fact: The film was one of the biggest hits of 1936, earning $5.3 million and a profit of $2.2 million. It became Gable’s highest grossing film after Gone with the Wind.

My Verdict: This is one of those films that has it all—drama, comedy, romance, action. It is difficult not to like this film! Although Gable did not like working with MacDonald, I don’t think it shows; they do have great chemistry. She may not be the sexiest of his leading ladies for sure, but she’s beautiful and her purity rubbed up against Clark’s ruggedness works. Gable and Tracy are always a great pairing and here is no exception. The special effects used for the earthquake are extremely impressive if you take in account that you are looking at a film made at a time when talkies hadn’t even been around 10 years yet. No CGI here, real effects and stunt people. The songs are great (although I must confess I always fast forward through MacDonald’s opera sequence…) and the costumes superb. An essential for sure, although I must say I think Clark should have nabbed an Oscar nomination for this one. Just sayin’.

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It’s on DVD.

Read more here.

Ratings

Clark Gable

From a fan magazine, here are hand-signed holiday wishes from several stars of the golden era, including Olivia de Havilland, Claudette Colbert, Mickey Rooney, Ronald Reagan, Jane Wyman, Jeanette MacDonald, James Cagney, Ann Sheridan, Humphrey Bogart, Cary Grant and more. No, Clark and Carole aren’t included, but I thought it a cute holiday gift nonetheless! Happy Holidays everyone!

Click to enlarge:

Forest Lawn Glendale

Forest Lawn Glendale is gorgeous. Absolutely gorgeous! I have heard this before, of course, but this is one of those times where words don’t do it justice. Founded in 1906, the memorial park is famous for its vast collection of sculpture and art, as well as for being one of the first cemeteries to not allow upright headstones, giving the park a smoother look and appeal.

Forest Lawn Glendale

There truly is no other cemetery like it, not that I have ever seen in my life. Of the five we visited, this was the first one (for obvious reasons) and we said later on that we shouldn’t have visited it first since it made all the other cemeteries pale in comparison!

Forest Lawn Glendale

The history here is just incredible. The people who are buried here, were married here, had their funerals here, visited here…

The front gate of Forest Lawn Glendale

The front gates on the day of Jean Harlow's funeral in 1937

It could not have been a more picturesque day when we visited. It was the kind of weather you associate with southern California–72 degrees, sunny, blue skies with few clouds. The only sounds we heard while we walked around the lawn were birds chirping. Separated into sections with names like Vesperland, Graceland (and, the saddest of all, a heart-shaped section called Babyland that was all infant graves), the grounds are pristine and well groomed.

Forest Lawn Glendale

This place is gigantic; over 300 acres and an estimated quarter of a million people are buried on the property. If you ever find yourself here, make sure you know who you are looking for and where; Forest Lawn is not a cemetery where you can just wander around and find celebrities. From the top of the hill by the Great Mausoleum it looked like the rows and rows of graves went on forever.  

Forest Lawn Glendale

Despite signs, we got lost trying to find our way out when we went to leave–it is just that massive. There are more celebrities buried here than in any one place in the world, or so I am told. So please do forgive me if I didn’t visit one of your favorite people that is buried here, as it is we spent nearly four hours roaming around!

We had to give up on finding Carole Lombard’s brother Stuart Peters. The only instruction we had was that he was on Sunrise Slope outside the Great Mausoleum and his plot number. Well, the plots aren’t numbered on the ground at all and after a very long time strolling and reading every tombstone one by one, we had to move on. But Stuart is here….somewhere.

Forest Lawn Glendale

 The one grave that stands out on Sunrise Slope is that of comedian Joe E. Brown.

Joe E Brown

Joe E Brown

Forest Lawn Glendale Joe E. Brown

Jimmy Stewart has a great view on the top of a hill, next to his beloved wife, Gloria (sunflower courtesy of yours truly). I thought her epitaph was really touching. Especially since Jimmy never got over her death and his last words were “I’m going to see Gloria now.”

Jimmy & Gloria Stewart

Jimmy & Gloria Stewart

Forest Lawn Glendale Jimmy Stewart

Forest Lawn Glendale Gloria Stewart

Actress Merle Oberon, who briefly dated Clark right before he started dating Carole, is buried here, tucked away in a quaint little section called the Garden of Rememberance.

Clark Gable & Merle Oberon

Clark Gable and Merle Oberon

Forest Lawn Glendale Garden of Rememberance

Forest Lawn Glendale Merle Oberon

 Not too far from here is the Wee Kirk o’ Heather chapel. Many people have been married here, including Ronald Reagan and Jane Wyman. Notably in Clark Gable history, Jean Harlow’s funeral was held here on June 9, 1937.  Clark and Carole attended, as well as many Hollywood luminaries. Clark served as one of the pallbearers.

Clark Gable Carole Lombard

Clark and Carole at Jean's funeral

The chapel on the day of Jean Harlow's funeral

Forest Lawn Glendale Wee Kirk o Heather Chapel

Forest Lawn Glendale Wee Kirk o Heather Chapel

Forest Lawn Glendale Wee Kirk o Heather

Forest Lawn Glendale Wee Kirk o Heather Chapel

Wee Kirk o the Heather

 A short drive to another part of the park…

Clark’s longtime friend Robert Taylor’s cremated remains are here in the Garden of Honor, very inconspicuous in the wall in a section called Columbarium of the Evening Star.

Forest Lawn Glendale Garden of Honor

Forest Lawn Glendale Columbarium of the Evening Star

Taylor was a pallbearer at Clark’s funeral. Taylor’s widow, Ursula Theiss, died last year and is reportedly in there with him, but is currently unmarked.

Clark Gable and Robert Taylor

Clark Gable and Robert Taylor

Forest Lawn Glendale Robert Taylor

 Forest Lawn Glendale Robert Taylor

Forest Lawn Glendale Robert Taylor

Clark’s sassy blonde co-star in Adventure, Joan Blondell, is here as well, with a marker so small you have to really be looking for it.

Clark Gable and Joan Blondell

Clark Gable and Joan Blondell

Forest Lawn Glendale Joan Blondell

Forest Lawn Glendale Joan Blondell

Legendary Spencer Tracy, a friend who co-starred with Clark in Test Pilot and San Francisco, is buried here in his own private garden with a marker that simply says “Tracy.” He was also a pallbearer at Clark’s funeral.

Clark Gable Spencer Tracy

Clark Gable and Spencer Tracy

Forest Lawn Glendale Spencer Tracy

Forest Lawn Glendale Spencer Tracy

Nearby is also the private garden of Walt Disney.

Walt Disney

Walt Disney

Forest Lawn Glendale Walt Disney

Forest Lawn Glendale Walt Disney

Looming just beyond these gardens is the Freedom Mausoleum– the newer, lesser-known, but still beautiful mausoleum.

Forest Lawn Glendale Freedom Mausoleum

Forest Lawn Glendale Freedom Mausoleum

Interred here is Clark’s co-star in San Francisco and a singing legend, Jeanette MacDonald, who shares her spot with her actor husband, Gene Raymond. Gene co-starred with Carole Lombard in Brief Moment and  Mr. and Mrs. Smith.

Gene Raymond Jeanette MacDonald

Gene Raymond and Jeanette MacDonald

Forest Lawn Glendale Freedom Mausoleum

Forest Lawn Glendale Nat King Cole Gene Raymond Jeanette MacDonald

Speaking of singing legends, you can see above them is the final resting place of Nat King Cole.

Nearby is the plot for George Burns and Gracie Allen, sweetly marked “Together Again.”

Clark Gable, Gracie Allen and George Burns

Clark Gable, Gracie Allen and George Burns

Forest Lawn Glendale Gracie Allen and George Burns

We struck out on the lawn with Carole’s brother Stuart, but had better luck in the mausoleum finding Carole’s other brother, Frederic:

Carole Lombard and brother Fred Peters

Forest Lawn Glendale Stuart Peters

Coming tomorrow:  The conclusion of my Hollywood blog posts brings the Great Mausoleum–final resting place of Clark and Carole, and also the Church of the Recessional, where both of their funerals were held.

Forest Lawn Glendale

The Great Mausoleum